My practice is currently grounded in theatrical self-insertion and the deliberate manufacture of meaning as a way of examining how contemporary art performs significance. The work foregrounds critical exhaustion, popular consumption, general unknowing, and the instability of interpretation as recurring themes.
Failure sometimes functions as a formal strategy. I work with irony to the point where it exhausts itself, and with systems - both institutional and cultural - that are designed to produce meaning, but reliably fail to do so. These systems are often adopted as means of misuse.
There is a controlled simulation of authorship and career logic within a content-driven practice. Meaning is hardly resolved. It is tested, and allowed to malfunction.